- 正在播放《关于在短时间内的某几个人的经过》HD中字 - snm3u8
- 提醒不要轻易相信视频中的任何广告,谨防上当受骗
- 技巧如遇视频无法播放或加载速度慢,可尝试切换播放节点或者切换解析
- 收藏极速影院-最新高清热播电影-电视剧免费在线观看网址:jsdx888.com / jsdx888.com ,记得收藏哟~
剧情:
Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...� Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
收起
在线观看
播放节点列表
snm3u81
【HD中字】
官网同步更新,若有延迟请稍作休息再看看
官网同步更新,若有延迟请稍作休息再看看
相关影片
2019
剧情片
美国
丈夫突然结束他们的婚姻,空巢的凯特一个人踏上了前往非洲的第二次蜜月旅行之路,寻找人生的目标 — 以及潜在的恋情。
HD
2019
剧情片
法国,土耳其
一位美國女性小說家在土耳其小島上被謀殺了!龜毛的媽寶警探從伊斯坦堡趕來調查案件。一 滴落在被害人左眼的血,成為破案關鍵。他急欲找出那滴血的擁有者,卻發現在這個家庭鏈結 統 緊密、堅持古老傳統、而且種族
HD
2020
剧情片
挪威
吉特·尤斯兰德 托马斯·古勒斯塔德 托尔比约恩·哈尔 特赖因·威根 Jonatan Rodriguez Maria Grazia Di Meo Kingsford Siayor Tuva Olivia Remman
核灾难发生之后,饥饿的一家人被一顿饭所诱惑,参与了一场由一家酒店举办的舞台剧,然而观众却开始渐渐消失不见。
HD
2019
剧情片
美国
Alexa Yeames Johanna Putnam Devin Ashley Whitten Michael Ridley Rebecca Dines Jason Kuykendall Jonathan Vasquez Josh Zambrano Brien DiRito
從小父母雙亡的高中少女安蒂,每年暑假都會去鄉村果園幫外公照料果樹,沒想到外公卻突然撒手人寰,長年在都市生活的阿姨琳達變成她的監護人,果園卻面臨即將遭銀行轉售抵債的危機。當阿姨打算帶著安蒂離開果園,一同
HD
2018
剧情片
卢森堡,比利时,以色列,法国
卡伊斯·纳塞夫 卢巴纳·阿兹巴尔 Yaniv Biton 麦莎·阿德哈迪 纳迪娅·萨瓦勒哈 萨利姆·道 约塞夫·斯威德 阿莫尔·何勒赫尔 拉埃蒂茨亚·伊杜 阿什拉夫·法拉哈 Ula Tabari Yazan Doubal Shifi Aloni Negweny El Assal Alma Hemmo
巴勒斯坦電視台攝製臥底肥皂劇,連以色列婦孺都晚晚追看。編劇因情節背離革命而辭職,監製的多口侄仔助理受命執筆,頻頻借女角之口,向電視機前的舊愛示好,以色列檢查站軍官則企圖恃權影響劇情發展,以便在追看的嬌
HD
2011
剧情片
美国
Recorded during her Speak Now World Tour in 2011, this live recording collects 16 performances from
HD
2017
剧情片
德国,意大利
HD
2021
剧情片
美国
由于热播电视剧即将取消,六位演员决定自己动手拍摄自己主演的恐怖片,却无意中召唤了一个热爱暴力的鬼魂。
HD
2018
剧情片
意大利,法国
米卡埃拉·拉马佐蒂 雷纳托·卡朋特理 劳拉·莫兰特 亚历山德罗·加斯曼 杰兹·斯科利莫夫斯基 加埃塔诺·布鲁诺 西尔维娅·卡尔德罗尼 雷纳托·斯卡帕 保罗·格拉齐西 Paolo Graziosi 安东尼奥·卡塔尼亚 Vincenzo Pirrotta 马尔科·弗斯奇 Michele Di Mauro Lollo Franco Giovanni Martorana 埃马努埃莱·萨尔切 菲利普·鲁纳
影片取材自意大利画家卡拉瓦乔著名画作《耶稣的诞生》真实窃盗案件,讲述在电影公司担任秘书的女主,表面看似是一位平凡女职员,实际私下却是大编剧家的幕后主笔,正在着手新剧本的她,巧遇神秘退休警察,并从警察处
HD
2020
剧情片
美国
瑞秋·布罗斯纳安将主演亚马逊新片[我是你的女人](I’m Your Woman,暂译)。[爱乐之城]制片人约旦·霍洛维茨将参与本片制作,并与其妻子朱莉·哈特共同撰写剧本,哈特担任本片导演。影片讲述由于
HD
2021
剧情片
美国
When a recently widowed mother becomes houseless, she convinces her 8-year-old daughter that they ar
HD
2015
剧情片
爱尔兰
HD
2020
剧情片
美国
HD
2020
剧情片
德国
一名少女芭蕾舞演员偶然了解到嘻哈街舞,于是她面临着艰难的抉择:追随父母的脚步,还是追求她新发现的激情。
HD
2024
剧情片
美国
HD
2023
剧情片
中国大陆
昂萨尔(巴合波力·胡阿提别克 饰)一直渴望拥有自己的一匹马,但由于种种原因,他始终没有如愿以偿。直到有一天,他爸爸的好友悄悄送来了一匹名叫飞来克的马。飞来克成为了昂萨尔的伙伴,但在与哥哥争夺骑马的权利
HD